THE MOUNTAINS IN ART HISTORY
Nonfiction To learn, go teach THE MOUNTAINS IN ART HISTORY Edited by Peter Mark, Peter Helman, and Penny Snyder 132 pp. Wesleyan University Press Reviewed by Sue Ellis This group of essays takes a scholarly look at why we find mountains inspirational. We like to contemplate them, hike their trails, crest their summits and ski down their slopes. We feel God’s presence in a towering peak or a breathtaking drop in elevation. Some 18 th century writers/philosophers felt that the word, “sublime” seemed the perfect adjective to describe so majestic a vision. Little wonder then, that artists are drawn to capture them on canvas or through other artistic mediums. Each essay, by Wesleyan University students, contains one student’s unique perspective on a period in time or a particular artist chosen for his/her contribution to mountain art. The diversity of the essays is wide-ranging. In “Arnold Fanck and German Bergfilm,” by Jackson Sabes, we learn of Dr. Arnold Frank (1889-1974), a German film...